about the production
This was an unprecedented case in the history of Czech theatre. Cardinal Dominik Duka’s lawsuit against Brno-based theatres over performances of the production by the Croatian director Oliver Frljić at the festival 2018 Divadelný svět ended up at the Constitutional Court. In October 2022, it confirmed that judges cannot be guardians of morality. The Brno Municipal Court had previously dismissed Cardinal Duka’s lawsuit. It acknowledged that, even though the production team had depicted John Paul II or Jesus disrespectfully, Cardinal Duka was not restricted in professing his faith. This case has raised numerous questions to the Czech media and culture: what is and what is not art; are there limits to freedom of speech; what is the relationship between political power and art; what is a symbol, an allegory; what is direct and overt incitement; what is the role of political theatre in contemporary world? At the beginning of the collective work by Husa na provázku entitled Smokeout, there was a need and desire of the theatre makers for a cleansing and a different reflection of the event than what appeared in the media and had stirred public discussions and court hearings, to cleanse the name, the space, the relationship with its audience. The performance therefore begins as a purification ritual associated with fumigating the space, the actors move among the audience and ceremonially disperse smoke from incense sticks around the space. We learn about the outrage in the performance and see all sorts of things – letters and emails from angry audience, feelings and doubts of uncertain actors, many familiar and unknown facts, or a peculiar reconstruction of incriminating scenes from the productions by Frljić. Yet, it is up to us to answer what we expect from theatre today, where our personal boundaries are when it comes to controversial topics in theatre, where power can reach and whether it is possible to ban art. After all, we have many opportunities for such reflections in Slovakia today. Jiří Havelka, in Slovakia known for his distinctive productions, together with a team of excellent cast from the legendary Brno theatre (plus the unmissable faces of the now iconic television series Good Morning, Brno!) will take us through this wildly entertaining cleansing ritual, both seriously and quite frivolously, with inimitable humour.
creators
direction: Jiří Havelka
dramaturgy: Martin Sládeček
set design: Martin Ondruš
costumes design: Luděk Kellner
cast: Dalibor Buš, Růžena Dvořáková, Vladimír Hauser, Milan Holenda, Dušan Hřebíček, Jan Kolařík, Sylvie Kee Krupanská, Tereza Maxmilián Marečková, Dominik Teleky, Tereza Volánková, Zdislava Pechová, Michal Sikora, Ctibor Němec
director
Jiří Havelka
Director, author and actor, Mr Havelka graduated from the Department of Alternative and Puppet Theatre Directing at DAMU in Prague. After graduating, he worked largely at the Prague-based Studio Ypsilon theatre, where he staged a number of thematically inter-related authorial productions, such as Drama v kostce (2005, nomination for the Divadelní Noviny Award) and Kam vítr tam pláž (2008, nomination for the Divadelné noviny Award in the Alternative Theatre category). After leaving Ypsilon, he started working with the Na zábradlí Theatre, the Vinohrady Theatre and HaDivadlo. Since 2010, he has also often worked with the Vosto5 ensemble (Perák, 2011; Dechovka, 2013). With Vosto5, they also made original theatre invasions into public space called Second City. In 2019, Mr Havelka directed his film debutVlastníci based on Společenství, an acclaimed production of Vosto5. He also made other auteur films Mimořádná událost and Zahradníkův rok. Mr Havelka also works in dance and puppet theatre. In puppet theatre, he earned acclaim with his pioneering nonverbal illusionist film Posledný trik George Melièse – Divadelní noviny Award in the Puppet Theatre category (2013), Erik Award for the puppet production of the year, and other awards at international festivals. One of the most significant ones is the 2007 Alfréd Radok Award, which he received in the Talent of the Year category. In recent years, Mr Havelka has regularly worked with the Husa na provázku theatre (Gadžové jdou do nebe, 2020, Smokeout, 2022), and the Dejvické Theatre (Bitva o Hernaniho, 2023), where he has been the artistic director since January 2025.