about the production
Our story starts one sunny day of spring. This is because what seems to be an episode of family life in a provincial town can become an extraordinary and drastic event. The heroes of Chekhov's plays find themselves in both tragic and comic situations... And it is in these very moments that one has to pay increased attention.
Kare! Tománek, dramaturgist of the production
The play is about banal situations, which seem ordinary and everyday. and it shows how grotesque the human destiny is. Chekhov himself wanted his plays to be staged as vaudevilles: as something wild and comical, which is needed by the Three Sisters text. We highlight the grotesqueness of the story and the situations on a kind of stage of destiny, on which someone makes a promise to us at the beginning that what is going to happen, will be great fun. But then the play is about human lives a bit messed up and a bit clumsy, quite similar to our own. And by laughing at it, we in fact laugh at ourselves.
Vladimír Morávek, director of the production
Morávek's Chekhov is characterised by a marked stylisation, expressionistic sneer and scathing colourfulness of the scenographic elements.
Jan Kerbr, Lidové noviny, 19/3/2001
The Morávek and Tománek team has revealed the dialogues to their very skeleton, but the cuts do honour the sense, atmosphere and the order of the relationships. At the same time, they do not change anything or rewrite anything and everything is depicted just as it was in Anton Pavlovich ... The spectators who have come to see the "well known" Three Sisters may initially view the adaptation as brutal. This is because its cutting edge has slashed many classical scenes which are enjoyed as Chekhov specialities and provide an opportunity for great acting talents However, Morávek does not fashion spiritless puppets from his company. His perception is aimed at exact and thoroughly premeditated interplay of the company, abbreviation and distinct stylisation.
Zdeněk A. Tichý, MF Dnes, 10/4/2001
Everything on the stage happens to the rhythm of the dominating tango. The characters move through days and weeks following at the same time a choreographically strict order, marking life, against which, willingly or unwillingly, no one is able to rebel. The depressing sadness and hopelessness of the present moment. (...) It is only an extraordinarily mature company that can fill the expressive romantic concept to the very edge. And Theatre of the Year from Hradec Králové showed that boldly in its Three Sisters.
Jiří P. Kříž, Právo, 21/3/2001
Neither the psychological yardstick, nor the probability yardstick can by applied to Morávek's Three Sisters – the characters are figuratively exaggerated. They demonstrate embarrassment and uselessness as well as their consequences: cynicism and evil. (...) Morávek's nature drags him and the whole company to extremes, to tough exaggeration for a tough time.
Věra Ptáčková, Divadelní noviny, 17/4/2001
directed by Vladimír Morávek
translation: Leoš Suchařípa
adaptation: Vladimír Morávek, Karel Tománek
dramaturgy: Dr. Karel Kladivo Effatha, Karel Tománek
choreographic co-operation: Radek Balaš
music: Pavel Horák a iní "Mladí bozi z roku 1983", and other "Young Gods of 1983”
stage design: Martin Chocholoušek
costume design: Sylva Zimula Hanáková
characters and cast:
Andrei Prozorov: Filip Rajmont, Natalia: Simona Babčáková, Olga: Martina Nováková, Masha: Kateřina Holánová, Irina: Marcela Holubcová, Fiodor Kuligyn: Jiří Zapletal, Alexander Vershinin: Lubor M. Novotný, Vershinina: Marie Kleplová, Nikolai Tuzenbach: David Steigerwald, Vasili Soleny: Václav Veselý, Ivan Chebutykin: Jan Mazák, Alexej Fedotik: Jiří Klepl, Vladimír Rode: Alexandr Gregar, Ferapont: Marek Zákostelecký, Anfisa: Martina Eliášová, Protopopov & Bobík: Radomil Vávra, Roman Dawn: Pavel Horák & Miroslav Stolfa, Václav Trunec, Charlotta: Andrea Marečková, Girls: Vanda Bromová, Terezie Hulková, Barbora Bebrová, Patricie Hýbnerová
Vladimír Morávek (1965)
One of the most distinct personalities of the contemporary Czech theatre. Participants of the Divadelná Nitra Festival have been able to see his work on a regular basis ever since 1992.
Morávek graduated from JAMU in Brno, he worked in the Theatre Goose on the String, he made guest appearances in theatres in Ostrava, Brno and Prague. At present, he is internal profile director of Klicpera Theatre in Hradec Králové, which has in the previous years become Theatre of the Year. Plays he has directed recently: G. Rijnders – K. Steigerwald: Theatre as Plague, A. P. Chekhov: Three Sisters, project The Ugly lnsect Play (Klicpera Theatre in Hradec Králové), F. M. Dostoevsky – L. Dodin: The Gentle Spirit (Karlovy Vary Municipal Theatre), G. Puccini: Tosca (Opera of the National Theatre in Prague), W. Shakespeare: Richard lll (Globe Theatre in Prague).